Something unexpected happens when you are crossing this bridge. Elaborate now.
365 Days of 2010: Snapshots to inspire great stories, exploring life's greatest details through photographs and the written word. 52 Weeks of 2011: Composites of snaps to spark composites of words. Create. That's the purpose. 365 Days of 2012 and 2013: A story a day, maximum 365 characters per story, a journey in giving life to the smallest of moments, making every word and every image count.
4.30.2010
4.29.2010
Day 119
Your character is homesick, and her daily routine is laced with daydreams of "home." If her mind is living in this dream state, how does it affect her real life? Lots of potential to have fun with this one.
4.28.2010
4.27.2010
4.26.2010
4.25.2010
Day One Hundred Fifteen
If you were an artist, what would be your medium? Would your work be inspired by a specific movement? If you are already an artist, what new medium would you like to try?
4.24.2010
Day One Hundred Fourteen
Speed. Love it or hate it. What is your perfect speed? Today's story should revolve around a character discontent with his current speed.
4.23.2010
4.22.2010
Day One Hundred Twelve
Follow a character through the seasons. Does one season hold more promise than another? Or does one pose more hardship? Your character could be without a home, or tending to his crop fields, or simply a mother trying to find new and creative ways to entertain her children. How do the changes in nature, in weather affect your character's everyday life?
4.21.2010
4.20.2010
One Hundred Ten
Your character is authorized personnel. What secrets lay behind this sign and what does your character do to protect them?
4.19.2010
Day 109
Do you think farm animals are content with their role in life? What would happen if they could speak our language? Set your story on a farm and have the animals play an integral part in your plot.
4.18.2010
Day One Hundred Eight
One specific number is seemingly following your character. This number is everywhere. The change from the restaurant bill, the time of a meeting, the focus of a news report, the bus route number, etc. With each new appearance, your character becomes more paranoid about its meaning. Go!
4.17.2010
Day One Hundred Seven
What emotion does this photograph evoke for you? Apply that emotion to your character and have him feel it to the extreme. Every word and every action is defined by it, as is your story.
4.16.2010
4.15.2010
4.14.2010
Day One Hundred Four
Write of a place, a thing, or a person in need? It can be as simple as a brick wall in need of a little natural beauty to soften its edges, or something more complex. You know the drill.
4.13.2010
4.12.2010
Day One Hundred Two
You are confined behind this wall for a day. Your only exposure to the outside world is through this small round window. Why are you here? What do you see?
4.11.2010
Day One Hundred One
Embrace an abstraction, find a reality in it, and write about it. Now examine the abstraction a second time and write from an entirely different perspective. Does one reality have more truth that the other? And off we go again!
4.10.2010
4.09.2010
4.08.2010
Day Ninety Eight
A game is your focus. Is your character a player or a spectator? How does your character react when a goal is missed, a throw falls short, a ball goes out of bounds?
4.07.2010
Day Ninety Seven
Sniff out the paper, the pen. Bark at the blankness of the page that stares back at you. Now sit, good writer. Here's your treat.
4.06.2010
Day Ninety Six
How would your life change if you turned off all the electric lights? Base today's story in an era without electricity, or in present day but without this specific modern convenience.
4.05.2010
Day Ninety Five
A wall to block out the encroaching sand and sea. What if all these walls were knocked down, all breakwaters were removed, all attempts to control the sea were prohibited? How would that affect us and our coastal way of life? Overlook the immediate effects and focus on the long term consequences, if any? Or are we a consequence to the sea?
4.04.2010
Day Ninety Four
It's ten o'clock at night. You cautiously look back up the stairs as you knock on the door. Your knuckles rap three times, pause and then land on the wood for the final knock. At this point, the door opens. What happens next?
4.03.2010
Day Ninety Three
You know how this glove got here and who it belongs to, but a backstory is needed. Please fill us in.
4.02.2010
Day Ninety Two
Imagine a world with no contrast: every person alike in appearance, every car the same color and shape, every city the same, every acre of land the same. Now introduce a single unit of contrast. How does that change your imagined world?
4.01.2010
Day Ninety One
Imagine yourself on a road trip in the 1920s; newly laid highways and open countryside at your fingertips. After a long day of driving, you decide to stop for the night at a motorist's hotel you spot just off the road. Begin here.
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